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An Arm That Can Strike – A Blow (2023)
video installation, 11' 55'' - series of posters, 42 x 59,4 cm - book, 18,5 x 25,5 cm, 30 pp - A dependance between formal/lasting and informal/temporary structures occurs. With a focus on dimension and shaping a visual language, in accordance with the limitations that come with it, the project encompasses the screening of films and the correlation between a work and its surrounding space. A search for where subject and space possibly blur into each other.
The video installation was shown again at To Be Antwerp in Kavka, under the title 'The Movement'.
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Rovers Film Club
video installations - series of posters, 42 x 59,4 cm - series of printed matter, various sizes - The club started with the idea to create a curated enviroment for films. It began as an exercise in communication and space, exploring how to engage with an audience.
A number of screenings had an extension to them: a small publication which provided more context, imagery and a way for the audience to share their thoughts. This addition served as a connecting point to the other screenings and to the public. It was also a way to explore the visual language of the entire project.
The program showed a total of six films: three pre-existing and three of my own. All of them sharing similar themes and concepts. It was important to stick to the theme of temporality. Each screening came with a structure which reflected that impermanence, but which would also serve as a remnant of the film. Once the film was over, what would remain of it outside of your memory?
An Arm That Can Strike – A Blow (2023)
video installation, 11' 55'' - The final film in the series, which shares its name with the entire project. With a focus on space, installation and heterotopia, the film tries to share a narrative about growing up and evolving. The script at the bottom served as a optional narrative for the film, but more so as a remnant to the project. Watch the first 2 minutes here.
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